50/14
Mentioned in Crazy Cartoon Cast: The New Normal (2020) by AniMat
Tale
Two Harkonnen sisters fight against the forces that threaten the future of humanity and found a legendary sect that would become known as the Bene Gesserit. Whether they’re exploring the stars, escaping dystopia, or making the world a better place, these women are what science fiction is all about. This series uses material from the Great Schools of Dune trilogy by Brian Herbert and Kevin J. Anderson. A prequel to the original Dune, it tells how the Sisterhood of Rossak became the Bene Gesserit. The incident with Valya Harkonnen using her voice comes from one of them titled “Mentats of Dune.” All three books intertwine the development of the Sisterhood, the Mentats, the Navigators, and the Suk Doctors.
Visually, it’s stunning
Let’s get this straight: the backlash against the perceived “DEI policies” in this series isn’t just tired, it’s fundamentally wrong. Anyone familiar with Frank Herbert’s Dune universe knows that women, and especially the Sisterhood, have always been at the center of the story. This isn’t some modern “remake” designed to appease audiences—it’s baked into the very DNA of the story. Complaining about women in power here is like criticizing sand for appearing in the desert. If that somehow makes you uncomfortable, it’s worth considering why. With that in mind, let’s focus on what’s important: the show itself.
It’s not perfect, but it’s close enough to feel engaging
The art direction pays homage to the bold aesthetic established in Denis Villeneuve’s films, creating a seamless visual connection to the larger Dune universe. The scope feels ambitious yet intimate, balancing grand, sweeping shots with more personal, tightly-packed moments. Sure, the CGI occasionally shows its budget constraints, but the overall design is so sharp and deliberate that it doesn’t really matter. The writing, while not as philosophically dense as the main Dune saga, respects the audience’s intelligence. It doesn’t oversimplify or water down the complexities of Herbert’s world to meet the expectations of newcomers. Instead, it leans into the power dynamics and political intrigue that make Sisterhood so compelling.
It’s an intellectual, slow-burn narrative that rewards attention without ever feeling overly self-indulgent
The last 20 minutes of the first episode, in particular, deliver a level of tension and closure that captures the spirit of Dune at its best—layered, suspenseful, and quietly monumental. What sets this series apart is the way it uses Sisterhood to explore another dimension of Dune’s sprawling universe. The political machinations are more front and center here, offering a fresh perspective on the power subtexts that often drive the larger narrative. It has shades of early Game of Thrones , but with a distinctly Dune sensibility: less groundless, more thoughtful, and deeply connected to the philosophical questions that define Herbert’s work. The cast is a compelling mix of seasoned performers and rising stars, with some standout performances that hint at greater things to come. As for the adaptation itself, it’s clear the creators have been very careful not to compromise the integrity of Herbert’s vision.
Believe me, the effort is worth it
This isn’t a watered-down reimagining—it’s a sincere, ambitious continuation of the world he created. Yes, newcomers may find the dense story and dark politics terrifying, but for fans of Villeneuve’s books or films, that’s part of the appeal. For those already invested in Dune , this series feels like a significant expansion—a chance to delve deeper into the nuances of Herbert’s universe. If you’re new, this is a worthy entry point, though you may have to work a little harder to keep up.
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